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Cruise Night is a collection of unstaged photographs and recorded oral history that

I made with the Los Angeles Mexican American lowrider community from 2014 to 2019. My path to lowriding originates from my interest in the layered and nuanced ways that customizing a car reflects decades of political, cultural and creative self-expression in this community. Over the five years of making these photographs the lowrider family shared the sophistication and complexity of their tradition with me.


Since its beginnings in the 1940s, the lowrider tradition provided a platform for Mexican Americans to have a voice and be seen. Today there are tens of thousands of lowriders in Los Angeles. The movement is prolific, yet it maintains an element of invisibility in greater society. Lowriding is often pigeonholed as simplistic folk art and stereotyped by the media as crude and dangerous. I have seen a different reality – a refined and beautiful tradition of self-expression that is passed down between generations.


It is not common that a woman creates a body of work around lowriding. Since the inception of the automobile, car culture of all kinds has been dominated by the male perspective. Making pictures as a woman in a space traditionally defined by men, and of a practice traditionally used to represent masculinity, places my work in tension with the prevailing depictions of lowriding. 


With Cruise Night, I am offering an invitation to question all of these assumptions and stereotypes, and rethink the visual narrative around this often-overlooked American art form. I am eternally grateful to the lowrider community for embracing me and my hope is that these images begin to touch on the subtlety and depth that I experienced.

lowrider: a customized car modified to allow the vehicle to ride close to the ground;

the driver of the car

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